In Coralie Fargeat's new feminist horror film The Substance, damaging societal appeal specifications are actually the real creatures. They (women objectification, the disposal of "the old," the spread of a field improved body customization) nourish a monster of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://agentsofatlas2025.techionblog.com/30024849/margaret-qualley-the-substance-2024